My Overview series results from collecting videos of unwitting subjects from balconies, rooftops, and bridges and painting them on canvas, resulting in a unique style I refer to as Pixelated Impressionism. I draw inspiration from a rich artistic heritage, blending 20th-century elements like abstract naturalism, expressive realism, and narrative painting with the technological marvels of the 21st century—digitized video, satellite surveillance, and internet voyeurism. The outcome is a collection of artworks that showcase the organic forms of figures, expertly foreshortened and dynamically connected to their urban surroundings. Incorporating my childhood experience with a disease that left me unable to walk for several years, I obsessively combine video and paint to create overhead views of walking people captured on canvas, stop-action, mid-step in thick paint. I painstakingly select the exact frame of video that tells each character's story and render the digital nature of each image in a painterly style, depicting a privileged view of a private moment. The motion of these subjects is realized in thick paint as video scan lines and pixel artifacts create a style of mark-making that has never been seen before.