Deborah Eyde
Ann Arbor, Michigan
Artist Deborah Eyde creates encaustic artworks that explore the beauty of daily experiences through color and simple forms. “Although my works have a universal quality, they are usually inspired by my personal life,” says Deborah. A transformative year spent studying abroad in her 20s greatly influenced her artistic career, where the accessibility of art in Italy helped her realize that painting was not just a hobby, but her true passion. Deborah now paints in her home studio located in the attic, a space that’s conveniently supported her artistic practice while raising her children. When not making art, she enjoys walking her dogs, hiking, and traveling with her daughters.
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Artist Statement
One of my favorite things to do is take off my glasses to view the world (I’m very nearsighted!). Everything immediately becomes simplified and abstract—shape, color, contrast, and harmony all become more obvious. The human form blends seamlessly with the landscape, and a three-dimensional scene transforms into flat, colorful shapes. Using encaustic medium, paint, and a torch, I interpret my experiences onto a flat panel. This process always yields unpredictable results and endless possibilities.
My goal is to continue pushing toward abstraction, a direction I’ve been drawn to for over 25 years. Sharing my work and knowledge is also important to me, and contributing to my local artist community through teaching and collaboration is incredibly satisfying and inspiring.
Although my art is rooted in universal themes, most of the figures, settings, and landscapes come from my personal life. There’s a universal quality to my work that resonates with others, but it’s always infused with my own experiences.
My goal is to continue pushing toward abstraction, a direction I’ve been drawn to for over 25 years. Sharing my work and knowledge is also important to me, and contributing to my local artist community through teaching and collaboration is incredibly satisfying and inspiring.
Although my art is rooted in universal themes, most of the figures, settings, and landscapes come from my personal life. There’s a universal quality to my work that resonates with others, but it’s always infused with my own experiences.
Artist Background
School of the Art Institute of Chicago
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